
Jakobois
The road which led Jakobois, like many experimental film-makers, to filmic expression was painting. This development he owes to a succession of encounters and personal choices rather than to a university or art school. He has worked in the mediums of sculpture and painting since 1972, influenced by the writings of Jean Dubuffet and the work of Paul Klee, exploring the confluence between minimal art and gestural expression. His first encounters with experimental film date back to 1976, and occurred in the meeting places and specialized programs which at the time proliferated on both banks of the Seine in Paris. He began with using the Super 8 medium, working autonomously as an "artist film maker". His work has been seen in many film festivals as far as Rotterdam, London, Tokyo, Moscow and New York, including a major retrospective season of his films in Paris at the Centre Pompidou in 1988. He was a member of the group "4 à 4 Métro BarbèsRochechou Art" with Téo Hernandez, Michel Nedjar and Gaël Badaud.
Filmography

Crime contre le cinéma
Crime contre le cinéma

Fragments
Fragments

Rumeurs Saint-Maur
as (voice)
Rumeurs Saint-Maur
as (voice)

Chutes de Michel Nedjar
as Himself
Chutes de Michel Nedjar
as Himself

Chutes de Lacrima Christi
as Performer
Chutes de Lacrima Christi
as Performer

Mesures de miel et de lait sauvage
as Self
Mesures de miel et de lait sauvage
as Self

Bouquet of Eyes
Bouquet of Eyes

4 à 4 Métro-Barbès-Rochechou-Art
4 à 4 Métro-Barbès-Rochechou-Art

Three Drops of Mezcal in a Glass of Champagne
Three Drops of Mezcal in a Glass of Champagne
Cinématon XXVI
as N°251
Cinématon XXVI
as N°251

Cinématon n°251 : Jakobois
Cinématon n°251 : Jakobois

Sur Graal de T.H.
Sur Graal de T.H.

Lacrima Christi
Lacrima Christi

Lougarou de Nouillorque
Lougarou de Nouillorque

Cinématon
as N°251
Cinématon
as N°251

Paranorama 1 et 2
Paranorama 1 et 2

Cristo
Cristo

Chutes de trois gouttes de mezcal dans une coupe de champagne
Chutes de trois gouttes de mezcal dans une coupe de champagne