
Narcisa Hirsch
Narcisa Hirsch (née Heuser, born 1928) is an Argentine experimental filmmaker of German birth. Her work centered on themes of the body, love, sex, death, movement, and the female gaze. Despite this focus on women, she has resisted being labeled as a feminist. She began as a painter, and but her later and better known work centers on performance and film, though she has also written several books. She cites Salvador Dalí and Luis Buñuel as influences to her experimental film work, as well as the Bauhaus artists of Germany. During her time as an experimental filmmaker in Argentina, she frequented the Di Tella Institute and the Goethe Institute, a place where many of her works premiered. Recenlty, her work has been honored through several retrospectives at international film festivals, though it was relatively unknown outside of exclusive circles when it first premiered. Description above from the Wikipedia article Narcisa Hirsch, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Filmography

Instead of Trees
as Self
Instead of Trees
as Self
El refugio de Narcisa Heuser
as Narcisa Hirsch
El refugio de Narcisa Heuser
as Narcisa Hirsch

Herbaria
as Self
Herbaria
as Self

time/ OUT OF JOINT
as Herself
time/ OUT OF JOINT
as Herself

Reflejo Narcisa
as Main
Reflejo Narcisa
as Main

Narcisa
Narcisa

Butoh
Butoh
El Mito de Narciso
El Mito de Narciso

El Aleph
as Narrator (voice)
El Aleph
as Narrator (voice)

Surely Bach Closed the Door When He Wanted to Work
as Ella misma
Surely Bach Closed the Door When He Wanted to Work
as Ella misma

Muñecos (Have a baby)
Muñecos (Have a baby)

Tambores en la plaza
Tambores en la plaza

Marabunta
Marabunta

Yo veo conejos
Yo veo conejos

Apples
Apples

Pradera
Pradera