
Directed by Stefanie Schneider
Filmed with Polaroid and Super-8 footage, overlaid with poetic VO monologue, this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Mallick, Van Sant, and pages torn from a lonely girl's journal.
April Larson
The Garbage Man's deceased Wife
The Matchmaker's Playbook
The Matchmaker's Playbook